Art Heist: What’s Your Theory?

Artist: Claude Monet
Title: Poppy Field Near Vetheuil
Style: Impressionist
Year: 1879
Location: A white van, last seen speeding away from the Bührle Collection Museum in Zurich, Switzerland, on Feb. 10, 2008, possibly headed to a corrupt Saudi collector or other unsavory character.

The spectacular art heist of this past Sunday at the Bührle Museum in Zurich has rocked the art world, and police are working around the clock to solve the case and find any possible connections with other recent thefts, including the theft the previous week of two Pablo Picasso paintings stolen from a Swiss exhibition near Zurich. A note on the museum’s website says “The museum remains closed.”

“We’re talking about the biggest ever robbery carried out in Switzerland, even Europe,” Zurich police spokesman Mario Cortesi said.

The stolen art work has been valued at $180 million and comprised four Impressionist masterpieces: Poppies near Vetheuil by Claude Monet (1879), Count Lepic and his Daughters by Edgar Degas (1871), Blossoming Chestnut Branch by Vincent Van Gogh (1890) and Boy in a Red Waistcoat by Paul Cezanne (1888).

Since this month my blog features have been about great artists, and the first artist I covered was Impressionist painter Pierre-Auguste Renoir, this breaking news certainly caught my attention. The Bührle Museum did have a Renoir on display, Little Irene, but it wasn’t touched, probably because the three masked gunmen couldn’t carry anymore heavy paintings, and the robbers appeared to have just taken the first four they came to.

Motive? I mean, you can’t go out and sell the famous stolen art. “It’s extremely hard, if not impossible, to sell these works,” said Michaela Derra of Ketterer Kunst GmbH, a Munich, Germany-based purveyor of modern and contemporary art. Here is a speculation:

Steve Thomas, head of art law at Irell & Manella LLP’s Los Angeles office, said it was unlikely the robbery was commissioned by a private collector looking to stash art in a secret location.

He thought the motive most likely would be an insurance ransom, a reward or leverage for someone who could be facing prosecution for even bigger crimes.

However, I have my own little theory. There is apparently a Saudi collector sending his thugs out to steal art for his private collection. None of the current stories I’ve found on the Bührle theft have mentioned this connection, so I could be promoting an absurd idea. Nonetheless, just two months ago, in Sao Paulo, Brazil, paintings by Picasso and Portinari were stolen, but recovered. One of the suspects in the case told detectives the paintings were to be delivered to a Saudi collector, who has not been publicly named by authorities.

The history of Mr. Emil G. Bührle is very interesting, and perhaps he himself was a collector who obtained stolen art, and conceivably everything has come full circle. Bührle, born in Germany, was an industry tycoon who provided weapons to the Third Reich during World War II. In the aftermath of the war, he amassed one of Europe’s most valuable collections of art. It’s a tragedy of the war that the Nazis looted much of the great art owned by Jews, and many of Bührle’s pieces were on a “looted art list.” Exactly how Bührle obtained his collection is unknown, but some of it is “flight art,” works smuggled out by Jews and sold at bargain-basement prices to avoid confiscation by Nazis.

Maybe this art heist was Jews taking back their rightful property, via a Saudi collector, who will ask for a ransom. At this point, any theory can be thrown into the ring.